PAV Parco Arte Vivente presented the first solo exhibition in Italy by the Ecuadorian artist Adrián Balseca (1989) curated by Marco Scotini. The exhibition is an investigation into the role of the human being as an actor within the ecosystem, focussing on the relationships between the economy, ecology and memory as well as on the dynamics of power linked to the extractivism and exploitation of nature.  

La Migranta Blue Nipple is Cecilia Vicuña’s second solo exhibition in New York at Lehmann Maupin. Born in Santiago, Chile and based in New York City, the visual artist, poet, filmmaker, and activist presents a series of new paintings, a selection of her “precario” sculptures, and a suite of drawings. The exhibition, encompassing all three floors of the gallery, also includes the first US presentation of Vicuña’s monumental quipu, NAUFraga (2022), since its premiere at the 59th Venice Biennale, as well as a new film based on unseen footage shot while participating in Documenta 14 in Athens, Greece.

Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.

Barcelona's Center of Image La Virreina (La Virreina Centre de la Imatge) is dedicating an extensive exhibition to Regina Silveira (Porto Alegre, Brazil, 1939), one of the multimedia artists and key figures of Latin American conceptual art. Within the exhibition line of the center, which advocates the exploration of the aesthetic and ideological languages of images, this show curated by Isabella Lenzi covers a wide range of the Brazilian artist's research, experimentation and artistic production, particularly that developed with technical reproduction techniques and the circulation of images.

The work Nicolás Lamas (Lima, Peru, 1980) presents at The Goma Galery in his solo show Flujos atemporales/sedimentos cognitivos is circumscribed to his way of understanding relationships in a network of knowledge that involves the worlds of the natural and the cultural. Both spheres are the ones that lead him to use in his production processes different materials, artificial and organic, with which he gives life to hybrid elements that have an impact on the viewer's perception.

Dim Corners es una evocadora exposición en Johannesburgo que presenta nuevas obras de la artista brasileña Leticia Ramos y el artista sudafricano Zen Marie. La exposición tiene en cuenta los frecuentes cortes de energía de la ciudad, y también los recientes apagones que ha sufrido São Paulo desde que comenzó este proyecto, tejiendo una narrativa que entrelaza el impacto físico inmediato con las cuestiones más amplias e insidiosas del cambio climático y el racismo medioambiental.

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

Fundación Casa de Mexico in Spain hosts the exhibition Modern Art of Mexico, with funds from the Blaisten Collection and curated by Daniel Garza Usabiaga, which takes an interesting look at the country's 20th century production through the eyes of Margarita Nelken (Madrid, Spain, 1894-Mexico City, Mexico, 1968).